Faculty Information - ONISHI Yuki |


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ONISHI Yuki Faculty of Literature Department of Japanese Literature Lecturer

■ Present specialized field

Aesthetics and studies on art, Literature in general, Literature in general, Japanese literature

■ Academic background

1.	1997/04～1999/03	The University of Tokyo College of Arts and Science
2.	1999/04～2003/03	The University of Tokyo Faculty of Literature Graduated
3.	2003/04～2006/03	The University of Tokyo Graduate School of Arts and Science〔Master degree program〕 Completed
4.	2006/04～2014/03	The University of Tokyo Graduate School of Arts and Science〔Doctoral course〕 Accomplished credits for doctoral program Ph.D.

■ Business career

1.	2007/04～2015/03	Komazawa Women's University Part-time Lecturer
2.	2014/04～2022/03	Meisei University Department of Japanese and Comparative Culture, School of Humanities Part-time Lecturer
3.	2014/09～2016/09	The University of Tokyo Part-time Lecturer
4.	2016/10～2019/09	The University of Tokyo Department of Interdisciplinary Cultural Studies, Graduate School of Arts and Sciences Assistant Professor
5.	2019/09～2022/03	Chuo University Faculty of Law Part-time Lecturer
6.	2019/09～	Musashino University Part-time Lecturer
7.	2020/10～2021/03	Hosei University Faculty of Intercultural Communication Part-time Lecturer
8.	2022/04～	Daito Bunka University Department of Japanese Literature, Faculty of Literature Lecturer
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■ Belonging society

1.	2006/03～	Japan Comparative Literature Association
2.	2012/09～	Japan Society for Theatre Research
3.	2017/11～	Society for Research in Asiatic Music

■ Books and Papers

1.	Book	The Birth of Japanese-Language Opera, 1902-1923 (Single) 2018/07
2.	Book	Opera and Music Theatre Studies Today: Dynamism of Creation and Spread (Collaboration) 2021/03
3.	Book	Yanagita Kunio Studies Around the World 2012/11
4.	Paper	"Over the Rainbow" in Japan, 1940: How the Takarazuka Girls'; Opera Adapted the Tune for Their War-Time Stage Show (Single) 2020/03
5.	Paper	Inherent Differences Between Opera, Kabuki and "Joji Shoka" (Epic Song): How KITAMURA Sueharu's Song "Roei no Yume" was "Operatized" by Kabuki Actors (Single) 2014/10
6.	Paper	Meter over Meaning: ISHIKURA Kosaburo's 'Ruro no Tami,' a Japanese Version of Schumann's Song 'Zigeunerleben' (Single) 2013/04
7.	Paper	MORI Ogai's Tamakushige Futari Urashima and TSUBOUCHI Shoyo's Shinkyoku Urashima as Opera Librettos: Toward a New History of Opera in Japan around 1900 (Single) 2012/11
8.	Paper	Reception of Antoine Wiertz in Japan around 1910 (Single) 2011/06
9.	Paper	Nudes in the Literary Monthly Shincho Gekkan: With a Complete Annotated List of the Plates (Single) 2010/08
10.	Paper	Kobayashi Aiyu's Japanese Translation of Opera Librettos: Reading the Libretto of Suppe's Boccaccio (Single) 2009/03
11.	Paper	The Influence of Arthur Symons on Kambara Ariake: Poems Based on "The Andante of Snakes" (Single) 2007/11
12.	Paper	URASE Hakuu: A Critical Biography of an Early Translator of Imagist Poets (Single) 2007/03
13.	Other	Ms. Maeshima's Thesis Defense (Single) 2011/06
14.	Other	Exhibitions and Catalogues: Mori Ogai and the Fine Arts (Single) 2007/10
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■ Academic conference presentation

1.	2022/11/05	Grand Finale at the Opera: A Plot Repeatedly Used by Japanese Early Adopters of Western Music Theatre (Monthly Regular Meeting November 2022 (The 206th Meeting of Opera Research Group))
2.	2022/06/30	Let's all meet up at the Opera: A plot repeatedly used by Japanese early adopters of Western music theatre (Song, Stage & Screen XVI)

■ Department laboratory expense researcher number

20794176

■ Abroad career

2020/02/13～2020/03/15

The Centre for Research in Translation and Transcultural Studies, University of Roehampton Visiting Scholar

■ Home Page

https://researchmap.jp/itoh_yuki/